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History / Year 10 / Historical Knowledge and Understanding

Curriculum content descriptions

The contribution of migration to Australia’s changing identity as a nation and to its international relationships (ACDSEH147)

Elaborations
  • investigating policies of multiculturalism since the 1970s and the concepts of cultural heritage and assimilation
  • analysing post-World War II population growth and the development of Australia’s culturally diverse society using different types of graphs
General capabilities
  • Critical and creative thinking Critical and creative thinking
  • Intercultural understanding Intercultural understanding
  • Personal and social capability Personal and social capability
ScOT terms

Australian culture,  National identity,  International relations,  Migration

Video

Meet the Fremantle Port Hostesses

In the 1960s, Marie Novak and Pauline Noble worked for the Fremantle Port Authority as hostesses, welcoming new migrants who arrived by ship. Why were hostesses needed? How do Marie and Pauline describe their time as hostesses? Compare the migration experiences of Marie's and Pauline's families. How did their backgrounds ...

Video

Pocket Compass, Ep 5: An immigration nation

Prime Minister Malcolm Turnbull once described Australia as an 'immigration nation'. What do you think he meant by that? Do you agree? |Watch four very different people speak about their experiences as first- and second-generation migrants. What were some reasons they or their parents migrated to Australia?

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Invitation to Commonwealth celebrations, 1901

This is a coloured printed invitation to a conversazione celebrating the Commonwealth of Australia. It measures 30.2 cm x 37 cm. At the bottom is the wording, 'THE GOVERNMENT OF VICTORIA requests the honor of the presence of Mr W J Ferguson MLA and Mrs Ferguson at a Conversazione in the Exhibition Building on the Evening ...

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'Hut door', 1850s

This is a circular pencil drawing on coloured scraper board, measuring 22.7 cm in diameter. It was drawn in the 1850s by Samuel Thomas Gill (1818-80). It depicts a European family of mother, father and small daughter interacting with an elderly Indigenous Australian man and two Indigenous children in front of the door of ...

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Convicts from hulks, Woolwich, England, 1779

This is a hand-coloured engraving of convicts from the hulks at Woolwich labouring in the docks area. Two hulks are anchored offshore with rowboats shuttling to and fro. Beneath the image is inscribed 'A View near WOOLWICH in KENT showing the Employment of the CONVICTS from the Hulks'. The engraving measures 29.8 cm x 44.9 cm.

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Penny-farthing bicycle, c1888

This is a penny-farthing, or high-wheel bicycle, built in Melbourne by H Bassett and Co in the late 1880s. Called 'The Victory', it has a 142-cm diameter front wheel and a smaller rear wheel, both with solid rubber tyres. The pedals are fixed directly to the axle of the front wheel. The leather seat sits on a 'cradle spring' ...

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Convict jacket

This is a woollen convict jacket from Tasmania. The inside of the jacket is stamped with the mark 'WD', indicating that it was issued by the War Department, and it has an arrow mark, signifying British Government property. These marks date the jacket to after 1855.

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Concert room at Ballarat, 1855

This is a watercolour, measuring 22.8 cm x 31.9 cm, by Samuel Thomas Gill (1818-80), a famous colonial artist. It shows Charles Thatcher (1831-78), a comic singer well known on the gold fields, performing popular songs on stage at the Charlie Napier Hotel in Ballarat with a female accompanist. The painting has the artist's ...

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Phar Lap

This is a photograph showing the mounted hide of Phar Lap, a champion racehorse in the late 1920s and early 1930s. He was a large chestnut-coloured gelding who stood 17.1 hands (about 174 cm) tall.

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Pacific Islander labourers planting sugar cane, Mackay, 1870s

This is a black-and-white photograph showing large groups of poorly dressed indentured Pacific Islanders planting sugar cane on a plantation at Mackay in Queensland. Fourteen or more Pacific Islanders are manually placing sugar-cane cuttings at regular intervals in long furrows. Two mounted white men oversee their work ...

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Pacific Islander labourers in the Mackay District, late 1800s

This posed black-and-white photograph shows indentured Pacific Islanders by their grass hut homes, probably on a Mackay sugar plantation in Queensland. Some are seated on logs or rough timber benches and one woman can also be seen. They are dressed in Western-style clothes. More huts can be seen on the cleared rise in the ...

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Pacific Islander women planting sugar cane at Bingera, c1897

This black-and-white photograph shows several indentured Pacific Islander women planting sugar-cane stalks, or setts, in freshly made furrows in a large field at Bingera near Bundaberg, Queensland. The women, dressed in Western-style clothes, are following directly behind a horsedrawn plough that is worked by indentured ...

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Electors arriving to vote, Mackay, 1877

This black-and-white pen-and-ink sketch depicts voters arriving at a polling station in a state by-election in Mackay, Queensland, on 23 April 1877. The voters arrive in horsedrawn buggies and carriages. Speech bubbles and banners include the slogans 'VOTE for LONG', 'Yah! no slavery!' and 'Beor! and down with Kanaka Labour!' ...

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Female emigrants bound for Australia, 1834

This hand-coloured lithograph, measuring 36.0 cm x 22.7 cm and consisting of seven panels of an original ten, depicts in cartoon form the deprivations suffered by single women migrating to Australia in the 1830s. Titled 'FEMALE EMIGRATION!', the scenes follow the story of the women leaving Britain, their rough crossing ...

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Pacific Islander women working in cane fields, c1890

This sepia photograph shows eight indentured Pacific Islander female labourers preparing to hoe weeds in rows of cane at Hambledon Mill, near Cairns in Queensland. The women and girls, some barefoot, stand at the edge of the cane, which is above head height. The foreground is bare soil and a thickly wooded hill rises in ...

Online

Yulunga: koolchee

This ball-throwing and hitting game was played by the Diyari people from near Lake Eyre in South Australia. The balls were called koolchee. The balls used were as round as possible and were usually about 8–10 centimetres in diameter. Gypsum, sandstone, mud, or almost any material that was easy to work was used to make the ...

Online

Yulunga: weme

The Walbiri people of central Australia played a stone-bowling game. One player rolled a stone, which was used as a target by the second player. In the traditional game players alternated turns, with each one aiming at the other’s stone. This is a bowling game in which balls are rolled underarm along the ground to knock ...

Online

Yulunga: buroinjin

This was a ball game played by the Kabi Kabi people of south Queensland. The game was played with a ball made of kangaroo skin, which was called a buroinjin. The ball, which was smaller than a soccer ball, was sewn with tendons and stuffed with grass. Teams from different groups played against each other. The game was often ...

Online

Yulunga: arrkene irreme

The boys of the Aranda and Luridja of central Australia played a hitting game. A small cylindrical stick, sharpened at each end, was laid on the ground. A longer stick was held in one hand. The player hit one end of the stick to make it bounce into the air and as it rose it was hit with considerable force. A hitting and ...

Online

Yulunga: kutturi

Small digging sticks were made for children in many parts of Australia. These were considered to be personal property and were usually well looked after. They were often used in play. In some areas the women would use digging sticks in play ‘fights’. This activity was reported from an unidentified place as a stick-practice ...